
Sexteto místico, for flute, oboe, saxophone, harp, celesta and guitar (1917, unfinished or lost).1 for violin and piano, Desesperança (Despair) (1913) (Information on the two Sextetos místicos in Peppercorn 1991b, 38–39) The chamber music is listed and described in Villa-Lobos, sua obra 1974, Appleby 1988, Peppercorn 1991a, Tarasti 1995, and Wright 1992. Fantasia em Três Movimentos (in the form of a choros) for wind band (1958).Gênesis, symphonic poem & ballet (1954).Odisseia de uma raça, symphonic poem (1953).Alvorada na Floresta Tropical, ouverture (1953).Erosão (Erosion), symphonic poem (1950).
Mandu-Çarará, secular cantata / children's ballet for mixed choir, children's choir & orchestra (1940).Caixinha de Boas Festas, symphonic poem & ballet (1932).O Papagaio do moleque, the Kite of the Guttersnipe, a symphonic episode (1932).Uirapuru, ballet and symphonic poem (1917–34).Amazonas, ballet & symphonic poem (1917).Naufrágio de Kleônicos, symphonic poem (1916).Tédio de Alvorada, symphonic poem (1916), reworked as Uirapuru.The other orchestral works are listed and described in Villa-Lobos, sua obra 1974, Appleby 1988, Peppercorn 1991a, Tarasti 1995, and Wright 1992. Other orchestral works (including ballet scores) 10 "Sumé Pater Patrium" (Sinfonia ameríndia) (Sumé, Father of Fathers ) (1952)
6 Sobre a linha das montanhas do Brasil (On the Outline of the Mountains of Brasil) (1944) The symphonies are listed and described in Villa-Lobos, sua obra 1974, Appleby 1988, Peppercorn 1991a, Tarasti 1995, and Wright 1992. 3 are also concertante pieces for piano and orchestra
Concerto Grosso for wind quartet & wind ensemble (1959). Harmonica Concerto (1955) for John Sebastian Snr. Fantasia for saxophone, three horns, and strings (1948). Ciranda das sete notas for bassoon & string orchestra (1933). Momoprecoce, fantasy for piano and orchestra (1929) or band (1931). O Martírio dos Insetos for violin and orchestra (1925). Fantasia de movimentos mistos for violin & orchestra (1921). The concertos are listed and described in Villa-Lobos, sua obra 1974, Appleby 1988, Peppercorn 1991a, Tarasti 1995, and Wright 1992. 5 for voice and at least 8 cellos (1938–45) The Bachianas Brasileiras are listed and described in Villa-Lobos, sua obra 1974, Appleby 1988, Peppercorn 1991a, Tarasti 1995, and Wright 1992. flute, oboe, clarinet, horn, bassoon (1951) Quinteto (em forma de chôros) for flute, oboe, cor anglais, clarinet and bassoon (1928) arr. Chôros bis, for violin and cello (1928–29). 14 for orchestra, band and chorus (1928) now lost 13 for 2 orchestras and band (1929) now lost 10 for chorus and orchestra (1926) "Rasga o coração" (Tear Out the Heart) 7 "Settimino" (Septet) for flute, oboe, clarinet, saxophone, bassoon, violin, and cello, with tam-tam ad lib. 5 for piano (1925) "Alma brasileira" (Brazilian Soul) 3 "Pica-páo" (Woodpecker) for clarinet, bassoon, saxophone, 3 horns, and trombone, or for male chorus, or for both together (1925) Introdução aos Chôros (Introduction to the Chôros), for guitar & orchestra (1929). The Chôros are listed and described in Villa-Lobos, sua obra 1974, Appleby 1988, Peppercorn 1991a, Tarasti 1995, and Wright 1992. 5 Other orchestral works (including ballet scores).